Happiest of birthday wishes to Barbara Hale on her birthday today.
And reason enough to show some more pictures of Barbara who will always be Della Street to me. And don’t tell me there wasn’t a romance between Perry and Della!
From 1941 to 1947,there were a series of 16 books for girls which featured a Hollywood star in the book title and their image on the dust jacket.
Presumably with the permission of the star and their studio,all the stories were entirely fictitious. In some,the star is visiting friends and some of the characters don’t even recognise the actress!
The stars take part in stories comparable to the Nancy Drew mysteries and adventures.
In some of the books, the heroine has the same name and appearance of the star, but has no connection to the star!
For the Ginger Rogers title,Ginger’s mother Lela Rogers wrote the story.
Amazingly, several of the books are on Amazon and I imagine they are very collectible,if only for the covers.
The publisher was Whitman Authorised Editions for Girls.
Below are some photos of the books.
Marvellous to see ANGELA LANSBURY winning the Best Supporting Actress award for her role as Madame Arcati in Noel Coward’s BLYTHE SPIRIT at the OLIVIER AWARDS last night in London.
She had played the part of Madame Arcati on Broadway in 2009 and reprised the role last year in London.
In her acceptance speech, she said:
” Here I am,creeping up to 90, feeling like a million dollars!”
The media pointed out that this was Angela’s return to the London stage for the first time in forty years.
Well it was more than forty years ago that I saw Angela give an unforgettable performance in the musical GYPSY – in 1973. Back then the Olivier Awards were known as the SWETS ( glad they changed it to honour Laurence Olivier.) SWETS stands for Society of West End Theatres.
No prizes, but any ideas which Hollywood star this sculpture is trying ( and failing miserably) to depict?
Answer later today.
It’s supposed to be LUCILLE BALL,depicting a scene from I LOVE LUCY.
I think this would be Lucy’s reaction. Why it is still on public display is a mystery. It is a bronze sculpture which has been standing since 2009 in the small town of Celeron,New York, where LUCILLE lived with her mother as a small child.
There are two scenes in TORCH SONG (1953) in which the film’s star, Joan Crawford,steps into the background and lets character actress,Marjorie Rambeau,take centre stage.
And,as we know,given half a chance,a good character actor will produce an Oscar worthy performance. ( Marjorie was nominated for Torch Song in 1953).
The two scenes are well written and tell us a lot more of the background of the film’s leading character,Jenny Stewart ( Joan Crawford), and her relationship with her mother,Mrs.Stewart (Marjorie Rambeau).
Prior to the first scene ,Jenny Stewart,a big Broadway musical star,is pacing her luxury apartment,obviously lonely , not sure what to do. Finally,almost in desperation,she calls the one person she can always rely on . She picks up the phone and says,”Hello,Ma”.
The next scene is Mrs. Stewart’s house which looks very nice.There is a piano in the room and Jenny’s sister, Celia (Nancy Gates) is playing quietly. Mrs.Stewart (Marjorie Rambeau) is droning on about the cost of piano lessons for Celia. Jenny is only half listening.
Mrs.Stewart is explaining what she said to the piano teacher:
“$10 a lesson, twice a week. We ain’t got that much money,we’re poor people…….Jenny’s a very successful girl, a wealthy woman……that’s no reason why she should pay for her sister’s education.
The professor said Celia will play Carnegie Hall yet.”
That nails it! Jenny resignedly says, “Alright,mother.I’ll pay for her lessons. Send me the bills.”
(In her professional life in the theatre,Jenny has been previously seen literally running the show, not standing for anything that doesn’t conform to her high standards. But with her mother,it’s the immovable object. Jenny is railroaded and it’s a complete contrast to her manner and personality in all the previous scenes in the film.
Mrs. Stewart smiles with satisfaction and says, “Celia,play somethin’ soothin’ “. But when Jenny leaves the room to make a phone call, she says, “Stop it, I hate that piece!”
We learn a lot in that short scene about the relationship between Jenny and her family. It’s obvious she is supporting them and feels a responsibility to them. They are happy to take advantage of her hard work and success. She has pulled herself out of her poor beginnings and now lives in a different world. But when she’s back home with her mother,her guard comes down and she seems a different person,no longer the star,just the daughter back in the atmosphere she grew up in.
Marjorie is completely believable as the working class mother,happily swigging her beer and asking her daughter for money in a roundabout way. She manages somehow to make Mrs. Stewart likeable. (and you feel she would be best friends with Thelma Ritter and Connie Gilchrist from A Letter To Three Wives!)
There’s not much chance the down to earth Mrs. Stewart would ever mingle with the theatrical crowd which is Jenny’s world.
Later in the film,in the second and longer scene, still in Mrs.Stewart’s living room, Jenny has turned up unexpectedly, after an argument with Michael Wilding’s character, Tye Graham, Jenny’s rehearsal pianist.
Again, Mrs.Stewart and Jenny are sitting on the couch. Mrs. Stewart says,
“I didn’t know you was comin’ or I’d have got you some high class beer.”
I love Jenny’s reply, “Beer’s beer” .
. (We can be sure she doesn’t drink beer when she is with her show-biz friends.)
Mrs. Stewart realises something is wrong and finally realises what it is, ‘Man trouble!’
She says,”I’m gonna break out that bottle of champagne I’ve been keeping for my wake! C’mon, take off the shoes and tell me all about it.”
When Jenny tells her Tye Graham, (the man in question) is blind, Mrs. Stewart closes her eyes for a moment,then says,
“Well, you know ,your father was somewhat bald when I met him. I guess we all carry some infirmity with us.”
When Jenny tells her mother that Tye called her a gypsy madonna, it rings a bell for Mrs. Stewart and she says, “I want my red scrapbook. It’s the first one I kept on you. I got ten of them now.”
Jenny gets the scrapbook and obviously wasn’t aware that her mother had been keeping these scrapbooks about her career.
Mrs. Stewart reads out a glowing review of an early performance by Jenny in which the writer calls her a gypsy madonna. She says,
“When it comes to Jenny Stewart,the man who wrote this could never be blind.”
The writer is Tye Graham and Jenny is amazed.
Mrs. Stewart adds, “ Put on that old record of yours, ‘Tenderly’.
As the record is playing, she says, “Incidentally, your father wasn’t somewhat bald. He was as bald as a billiard ball.”
She finishes off her beer as they listen to the record. ( India Adams dubbing for Joan Crawford).
Marjorie Rambeau is quite simply Mrs. Stewart, so real, you forget it’s acting. And in contrast to the previous scene, it’s clear Mrs. Stewart has always been proud of her daughter’s success ,keeping scrapbooks about her.
I like TORCH SONG,Joan Crawford’s return to MGM, where she had such great success. Though there is one notorious musical number in the film,”Two Faced Woman” which is horrendous, and I could never understand why it was ever filmed. It does Joan no favors.
Marjorie Rambeau (1889 – 1970) was a stage actress in the 1920’s and made a few silent films. In 1931, she married millionaire,Francis A.Gudger (they were married till Mr.Gudger’s death in 1967).
She was in MIN AND BILL(1930), with Wallace Beery and Marie Dressler. Ten years later,Marjorie and Alan Hale reprised the roles of Min and Bill in TUGBOAT ANNIE SAILS AGAIN.
Her first Oscar nomination came in 1940 ,playing Ginger Rogers’ mother in THE PRIMROSE PATH.
In EAST OF THE RIVER(1940), she’s almost unrecognisable as John Garfield’s Italian mama. (an IMDB reviewer said, “Marjorie could shine in a broom closet!”
In 1945,Marjorie was in a car crash in which her sister was killed. Marjorie’s injuries resulted in her having one leg shorter than the other. She began using a cane and had a noticeable limp. But she was back on the screen in THE WALLS OF JERICHO(1948), and in one of my favourite films, ANY NUMBER CAN PLAY(1949) in which she has some good scenes as a rich lady who enjoyed gambling at Clark Gable’s club.
Her last feature was MAN OF A THOUSAND FACES in 1957.
I’ll be watching out for more of Marjorie’s films. A fine actress.